Skip to main content

Labyrinth resurrection



I wasn’t sure what I’d find when the snow melted last month. I trudged around in the mud a little and it seemed like there might be enough information left in the labyrinth, that I wouldn’t have to start over from scratch. I never anticipated that I’d be able to re-use the layout from the year before, but it seemed like it might be possible.

By this past weekend the ground had dried enough so I could get out there and take a look around. I got out the little 18-inch push mower and thought I’d just start at the beginning and see if I could mow a path through the leaves and debris. Hopeless confusion soon put that idea to rest. Since I didn’t want to risk cutting across grass path boundaries, I put the mower away and decided I needed to mark what I could see of the paths and go from there.

I bought some paint at Home Depot. I meant to buy inverted marking paint, but I purchased striping paint instead. The only difference, I think, is that the striping paint has a type of nozzle made to use with a striping machine.

I discovered this yesterday when I got back into the labyrinth. The paint was difficult to dispense using my fingers, but I used it anyway. I intended to start painting obvious paths and then using my labyrinth drawing, fill in the gaps. This was easier conceived than executed, but eventually – with a few trials and errors -- I had roughed in the paths. I walked into and out of the labyrinth to test the route, and got out my mower to try again. This time it worked better, although I must say the paths have a somewhat more morphic quality to them than their previous geometric precision.

Then I got out the paint again and filled in the gaps and straightened some lines and generally gave the labyrinth a little more definition. I plotted the petals in the center of the labyrinth, painted them, and mowed them. I replaced the winter turn markers with the glass balls in copper mounts that I bought last year and straightened and repositioned the markers I used for the entrance turns and the petals in the center. (I used green metal flower stakes for this.)

I got out the rake and began to clean up the winter leaves and debris. This is an ongoing job, but I make a good start. After I cleaned up the debris, I made a final foray with the paint to establish lines that got partially raked away. I also redefined the turns with paint and spruced up the entry with straight lines and a spiral starting spot.

Finally, I installed a little birdbath/fountain that I bought several years ago, instead of my red herb-planter from last year. I think the sculpture fits the space a little better and I like it – at least for now.

So! The labyrinth is ready to use. I’m a little surprised myself that it was so easy to rebuild. I’m pretty happy to see it again after the long, cold winter.



I bought some more paint -- the marking paint, this time -- to spruce up the paths when I'm done with raking. I also bought some grass starter mix to patch the baldish spots once it warms up a little more, and some wildflower mix that I thougth I might broadcast and see what happens.

Comments

Popular posts from this blog

Starbucks mini-sling

by Linda Theil A bagmaker from the Kandou Patterns Community on FaceBook posted a bag featuring the Kandou "Mini-Traveler Sling" pattern using a Starbucks coffee bag as part of the fabrication. I am from Pittsburgh, so perhaps it comes naturally that I am intrigued by the use of iconic advertising in works of art, so I asked Alisa to please buy me some Starbucks coffee so that I could sew with the bags. I am also a fan of this slim, six-by-twelve-inch sling pattern that has three pockets and no inside! Alisa was particularly fond of the "Brown Sugar Cinnamon" limited edition bag, so I used this pink and gold bag for my first Starbucks sling. For the body of the bag, I used a cotton from the "Seedlings" collection by Katarina Rocella for Art Gallery Fabrics. The lining is Roccella's "Stacked Stones" design from her "Abstract Art" collection, also for AGF. "Stacked Stones" from "Abstract Art" collection by K. Rocc...

Origami wallet

by Linda Theil This little Lewis Men's Wallet pattern by Diane Spencer-Ogg is one of the quickest and cleverest wallets I've ever seen. The single-pattern-piece construction folds  together like a work of origami. The wallet features several card slots and a slip pocket. Of the many fastening options available, I like the Velcro hook-and-loop fastener for security and ease of use. This little wallet is especially nice for kids. Back of wallet with AppletonDance badge applied.

Diane's Archie

by Linda Theil Diane Spencer-Ogg, owner of Spencer-Ogg, Ltd. in Greater Manchester, UK, released a new mini-duffle pattern she calls "Arch Zipper Pouches" in two sizes with printable pattern pieces and video tuturial. Her video introduction can be viewed at the end of this post. As always, Spencer-Ogg has hit the ball out of the park with the elegance of her design and the precision of her process. I have made two of the 10x8x4-inch large-sized Archies -- as her  fans have dubbed the new pattern. The bag shown above is made of Mora Faux Leather in grape from Emmaline Bags of Alberta, Canada. The interior, shown below, is cotton from the "Art History" collection by Marcia Derse for Windham Fabrics. For my second Archie, I quilted a panel from the "Guess How Much I Love You" collection by Sam McBratney and Anita Jeram for Clothworks. With this new design, Spencer-Ogg debuts an updated pattern-production method that provides printable pattern pieces and a c...