Skip to main content

Pysanki-method colored eggs

I learned how to make pysanki -- Ukrainian, colored eggs -- in a class at Old Economy Village in Ambridge, Pennsylvania about 35 years ago. Traditional pysanki are made with poisonous dyes that must be handled carefully and kept away from food and food preparation areas. To make the designs, a stylus called a kistka holds melted beeswax in a tiny funnel. The beeswax is used to create a design by blocking dye with  successive layers of wax. When the egg is finished, the wax is removed by heating the egg in a candle flame and wiping the eggshell to reveal the design. My teacher said it is not necessary to remove the egg from the shell before making pysanki, but many practitioners do this. Real pysanki are nothing like the eggs you see here. Pysanki are incredibly detailed, complex and beautiful. You can learn more about pysanki at  http://www.learnpysanky.com.

For my pysanki-style egg dying I used food coloring instead of poisonous dye, paraffin instead of beeswax, and a small, child’s paintbrush instead of the kistka. I used vinegar in boiling water as a method of fixing the color on the egg.

Tools and materials:
  • 1-2 dozen jumbo-sized eggs
  • 4 tablespoons vinegar
  • 2 to 3 oz. paraffin
  • McCormic food color and egg dye sold in a package of four quarter-ounce vials
  • small double-boiler
  • small, clean inexpensive paint brush
  • old towels, dish towels or rags to cover work surface and use on eggs
  • Scotch-Brite plastic scouring pads
  • rack for eggs
  • four 12-oz. cups or mugs to hold food-coloring bath
  • four large spoons
Cook eggs:
  1. Cover the eggs with water in a large pot and bring to boil.
  2. Turn off the heat, cover the pot and let the eggs cook in the hot water for 20 minutes.
  3. Carefully drain the hot water and cover eggs with cool water and let sit until the eggs are no longer hot, about 10 minutes.
  4. Pour off water and move eggs to dying table. 
Prepare dye:
  1. While the eggs are cooking, cover the dying table with clean rags or paper and boil a quart of water.
  2. Empty four food coloring vials, one each into four 12-oz mugs. Be careful not to splatter.
  3. Add one tablespoon of vinegar to the dye and fill the mugs HALF FULL with boiling water.
  4. Have a large spoon available for each mug.
Pysanki-method:
  1. Beginning with a white (or light colored) egg, paint swirls of paraffin on an egg. The area you cover with paraffin will appear white (or the lightest color) on your finished egg. You can paint a name or words, if you like. Try not to put globs of paraffin on the egg, because you will have to remove it all in the end. Don’t try to remove any wax if you make a mistake.
  2. Dip your egg into the lightest colored bath, remove and dry.
  3. Paint your egg with more paraffin swirls, dots, lines or whatever you like. Everything you wax will remain the color of your first dye bath.
  4. Dip your egg into the next color of dye. Remove and dry. 
  5. Paint your egg with more paraffin decorations.
  6. Dip into the final color of your dye choices, remove and dry.
Note: To avoid muddy colored eggs, dip in progression of the color wheel – for example: white, to yellow, to green, to blue; or white, to red, to purple. Avoid dipping eggs into opposites on the color wheel – for example: don’t dip a red egg into green.

Once all your eggs are dyed, scrape excess wax off each egg with your fingernail and polish off the rest of the wax with a Scotch-Brite plastic scrubbing pad.

Comments

Popular posts from this blog

Notes on Purl Soho Cross-back Apron pattern

Purl Soho Cross-back Apron, regular sized,  front view Purl Soho Cross-back Apron, regular sized,   back view by Linda Theil This is the Purl Soho Cross-back Apron featured on their website at  https://www.purlsoho.com/create/2015/11/20/cross-back-apron . Their page includes complete directions for making this one-size-fits-most apron with large, side-pockets and cross-back straps. This retro apron is so nicely made and looks so much like the apron my grandma wore in the Nineteen-fifties that I had to make one for my friend who appreciates the nostalgia and the beauty of this design. Although this apron pattern, as published, can adjust to several sizes from 2-10; I also made a larger option, adjusting the width of the pattern pieces to accommodate up to size 16 and up. Size adjustment may also be made by varying the length of the straps. These notes are a record of my experience with the pattern, and should only be viewed as commentary; y

Sujata Shah's no-template piecing

16-inch, four-patch "pinwheel" block designed by Sujata Shah, pieced by Linda Theil 2016 Fabrics:  Sturbridge line by Kathy Schmitz for Moda and Daily Zen line by Michael D'Amore for Benartex. I attended quilt artist Sujata Shah's "Pinwheel" class sponsored by the Greater Ann Arbor Quilt Guild  at Washtenaw Community College in Ann Arbor  on July 17, 2016. Shah is inspired by the work of Gee's Bend quilters and has developed a no-template method of piecing to emulate their unstructured designs. Shah's book, Cultural Fusion Quilts , is available at Amazon.com.  Shah's uses four 11-inch squares to make each block, but she said a quilter could use any size base they choose. Since I had a package of precut 10-inch squares in the "Sturbridge" design by Kathy Schmitz for Moda, I based my block on that size. We were instructed to bring a variety of backgrounds in one color and brights in another color. Since I signed up late for

Auntie Grace bag

"Auntie Grace" bag sewn by Linda Theil by Linda Theil This "Auntie Grace" bag pattern is available from  Knot & Thread Design. The bag is small -- about 8-inches wide, by 6-inches tall, by 2-inches wide. It is constructed of pre-quilted fabric pattern pieces, and the gusset seams are bound inside the bag. The bag features a full-sized zippered pocket inside, and a full-sized zippered pocket on the exterior back of the bag. It also features a divided slip pocked on the rear interior. A front flap is secured by a swivel hook closure, and directions for an adjustable cross-body strap are included. "Auntie Grace" bag, rear exterior I think the design of the bag is beautifully proportioned, elegant, compact, and very useful. The design concept seems to follow the appearance of the high-end "Grace" leather bag by French fashion house A.P.C.  "Auntie Grace" bag interior I would consider the Knot & Thread pattern to be competently de