Skip to main content

Ann Arbor quilters donate 347 quilts to Safehouse in 2015

GAAQG members stack 89 quilts donated at Nov. 21 meeting from a 2015 total
 of 347 handmade quilts donated to Safehouse Center in Ann Arbor.
Safehouse quilts
When victims of domestic violence arrive at Safehouse Center in Ann Arbor, a handmade quilt covers each bed; and when they depart, their quilt goes with them.

Yesterday at the Nov. 21 meeting of the Greater Ann Arbor Quilt Guild , Safehouse director Barbara Niess-May thanked guild members for the 347 quilts donated to Safehouse in 2015. Niess-May also accepted a check from the guild for $3324 in support of the work at Safehouse.

"I am blown away by the thoughtfulness, love, and compassion that have gone into making these quilts," Niess-May said. "Your quilts are part of something bigger -- it's because of all the things we do along the way that allow people to believe things can be better. You are part of that -- your quilt is the first message we get to send that says 'We care.' I can't thank you enough."

When fiber artist Pat Pauly of Rochester, New York took the stage to deliver her lecture on "Traditional Meets Contemporary" quilting, she first expressed her admiration for the the beauty of the guild's donated quilts. 
Fiber artist Pat Pauly at GAAQG meeting in Towsley Auditorium,
Washtenaw Community College, Ann Arbor MI Nov. 21, 2015
Fiber artist Pat Pauly
The iconoclastic Pauly delighted the audience with her lighthearted determination to follow her own artistic inclination. She also taught a "Slash and Burn" design class to several GAAQG members at the Morris Lawrence Building of Washtenaw Community College on Friday and is teaching a freezer-paper template class today, November 22, 2015. See more about Pauly's Ann Arbor trip on her blog: Pieces and Resistance. You can also see her work in the Oct/Nov 2015 issue of Quilting Arts magazine. Download the digital edition here: http://www.interweavestore.com/quilting-arts-october-november-2015-digital-edition.
Pauly's students share works-in-progress from "Slash and Burn" class held at WCC on
Friday, Nov. 20, 2015. GAAQG president Sonja Hagen on the left.
Quilts 2016 Kirtland, OH
Pauly will be the featured artist at "Quilts 2016" at Lake Metroparks Farmpark in Kirtland, Ohio. Pauly will lecture and teach several classes from March 8-12, 2016. The entire event runs February 13- March 23 includes classes by local teachers and a quilt show. Deadline for show entries is Jan. 5, 2016. Registration begins tomorrow, Nov. 23, at 8 a.m. -- registration links at http://www.lakemetroparks.com/events/quilts2016.shtml.
Kathy Schmidt's beading primer at GAAQG, Nov. 21, 2015
Beading on fabric
Before and after the guild meeting, members offer 15-minute how-to sessions in areas of interest. The November meeting featured GAAQG member Kathy Schmidt sharing basic beading techniques. Schmidt recommends Larkin Van Horn's Beading on Fabric as an excellent primer on the topic. See Schmidt's work on her weblog Quirks, Ltd.

Comments

Pat Pauly said…
The donations of quilts was stunning, to say the least. I was selfishly wanting to keep them for a week to show them all off in an exhibit, before they were given to Safehouse. These were all crafted with care, and the designs were delightful. A treat to see them before they were taken off.

And your photos of me and Kathy are excellent! I look about 20 years and 20 pounds thinner, so please travel with me as my personal photographer. So enjoyed you in class, and had a great time with your group of quilters from around Ann Arbor. Many thanks for taking care of me.

Pat

Popular posts from this blog

Notes on Purl Soho Cross-back Apron pattern

Purl Soho Cross-back Apron, regular sized,  front view Purl Soho Cross-back Apron, regular sized,   back view by Linda Theil This is the Purl Soho Cross-back Apron featured on their website at  https://www.purlsoho.com/create/2015/11/20/cross-back-apron . Their page includes complete directions for making this one-size-fits-most apron with large, side-pockets and cross-back straps. This retro apron is so nicely made and looks so much like the apron my grandma wore in the Nineteen-fifties that I had to make one for my friend who appreciates the nostalgia and the beauty of this design. Although this apron pattern, as published, can adjust to several sizes from 2-10; I also made a larger option, adjusting the width of the pattern pieces to accommodate up to size 16 and up. Size adjustment may also be made by varying the length of the straps. These notes are a record of my experience with the pattern, and should only be viewed as commentary; y

Sujata Shah's no-template piecing

16-inch, four-patch "pinwheel" block designed by Sujata Shah, pieced by Linda Theil 2016 Fabrics:  Sturbridge line by Kathy Schmitz for Moda and Daily Zen line by Michael D'Amore for Benartex. I attended quilt artist Sujata Shah's "Pinwheel" class sponsored by the Greater Ann Arbor Quilt Guild  at Washtenaw Community College in Ann Arbor  on July 17, 2016. Shah is inspired by the work of Gee's Bend quilters and has developed a no-template method of piecing to emulate their unstructured designs. Shah's book, Cultural Fusion Quilts , is available at Amazon.com.  Shah's uses four 11-inch squares to make each block, but she said a quilter could use any size base they choose. Since I had a package of precut 10-inch squares in the "Sturbridge" design by Kathy Schmitz for Moda, I based my block on that size. We were instructed to bring a variety of backgrounds in one color and brights in another color. Since I signed up late for

Auntie Grace bag

"Auntie Grace" bag sewn by Linda Theil by Linda Theil This "Auntie Grace" bag pattern is available from  Knot & Thread Design. The bag is small -- about 8-inches wide, by 6-inches tall, by 2-inches wide. It is constructed of pre-quilted fabric pattern pieces, and the gusset seams are bound inside the bag. The bag features a full-sized zippered pocket inside, and a full-sized zippered pocket on the exterior back of the bag. It also features a divided slip pocked on the rear interior. A front flap is secured by a swivel hook closure, and directions for an adjustable cross-body strap are included. "Auntie Grace" bag, rear exterior I think the design of the bag is beautifully proportioned, elegant, compact, and very useful. The design concept seems to follow the appearance of the high-end "Grace" leather bag by French fashion house A.P.C.  "Auntie Grace" bag interior I would consider the Knot & Thread pattern to be competently de